Skip to content

A Visible Man

Edward Enninful

(Bloomsbury, 2022)

Review by Suzanne Harrington

 

In the summer of 2020, while they were dog walking in Hyde Park, a friend asked Edward Enninful about his forthcoming memoir, A Visible Man. The editor-in-chief of British Vogue replied it would be about ‘a boy from Ghana making his way in a racist, classist industry’ – fashion – but his friend, who had also grown up in an African household in London, reminded Enninful of how others saw him.   

‘You move with leaders and tastemakers;  you’re surrounded by the most powerful, amazing women,’ said the friend. ‘We don’t see a struggling Black person. Make sure you give us power and success. We need that.’ Enninful and his friend, Idris Elba, had grown up in council estates on opposite sides of the city.

A fiery seam of anger propels Enninful’s erudite, revealing yet measured memoir. Despite being ‘private by nature’, he says he wrote it for young people: ‘My hope is that I can do something for the future if I tell the story of my past… It’s important for me to inspire them, because the world as it is isn’t set up to do that – it’s quite the opposite’. He includes unhappy relationships, addictive behaviours, frozen emotions, imposter syndrome – it’s not just glamorous name-dropping (although there is plenty of that, too).  

 An agent of change, his reach extends far beyond fashion, particularly as he disrupted the posh white demographic at Vogue by putting BLM activists on the cover, unstyled and in their own clothes. This, he says, has meant that ‘model scouts are finally realising it is worth their time to go to Lagos as well as Tallinn’.  

Despite having the biggest job in fashion this side of Anna Wintour, replacing Alexandra Shulman in 2017, Enninful still gets racially profiled. On his first day back to the Mayfair office of Vogue post-lockdown, having just appeared on the cover of Time magazine in the US and completed a cover shoot with Beyoncé (who thanked him ‘for all you stand for’), he was stopped by a white security guard, who directed him towards the loading bay for deliveries.

Born in Ghana in 1972, the shy, studious son (‘I was the family librarian’) of an army major and a high-end dressmaker, he’d accompany his mother to fittings at the presidential palace: ‘As much as I loved books, I loved clothes even more’. As he was about to start at a prestigious boarding school, a coup meant the family had to flee Accra and start again in West London.

Aged 16, reading a copy of Blitz on the tube, he was talent-spotted for modelling. By the time he was 18, he was the fashion director of i-D magazine – it’s these younger years, when he was part of a West London scene bursting with fresh, diverse creativity (Judy Blame, Mark Lebon, Nick Knight, Steve McQueen, a schoolgirl called Kate Moss) which fascinate most. He moved to styling for Calvin Klein, Dolce & Gabbana and the ‘holy grail’ of Vogue Italia, working with the photographer Steven Meisel, before his appointment to Vogue. His friends are no-surname-required: Kate, Naomi, Rhianna, Beyoncé, Oprah. At the party for his OBE, Madonna danced with his dad, who has no idea who she is. Such is Edward Enninful’s visibility. 

https://www.bloomsbury.com/uk/visible-man-9781526641533/

Suzanne Harrington

Suzanne Harrington

Suzanne Harrington is an Irish author and journalist.

The New Carthaginians

Nick Makoha's new poetry collection inspired by the work of the artist Jean-Michel Basquiat.

One To One: John & Yoko 

Exploring the Ono-Lennon’s move into a small two room apartment in 1970s New York.

The Brightening Air 

Desire and sacrifice compete in Conor McPherson's visceral family drama.

Mother Tongues

The Moroccan writer and filmmaker Abdellah Taïa's dedication to his mother

Remembering Parnia Abbasi

The tragic death of a young Iranian poet killed in an Israeli airstrike.

 Finding Poetic Inspiration in Uncertainty

Poet Anthony Anaxagorou explores his approach to poetic inspiration, embracing the confused, vulnerable and ordinary.

video

Preaching

'Preaching': A new poem by the T.S.Eliot Prize-winning poet Roger Robinson, from his forthcoming New and Selected collection, due from Bloomsbury in 2026.

video

Walking in the Wake

Walking in the Wake was produced for the Estuary Festival (2021) in collaboration with Elsa James, Dubmorphology and Michael McMillan who meditates on the River Thames as we follow black pilgrims traversing sites of Empire.

Illuminating, in-depth conversations between writers.

Spotify
Apple Podcasts
Amazon Music
YouTube
Other apps
What we leave we carry, The series that tells the true-life stories of migration to the UK.

The series that tells the true-life stories of migration to the UK.

Spotify
Apple Podcasts
Amazon Music
YouTube
Other apps
Search