There is a haptic focus to this work created during the last 18 months, a time in which all similar activities have either been forbidden or heavily discouraged.
The first-person account of a young woman who came to the UK from British Guiana in the 1950s and who went on to become one of the first black headteachers in British history.
Samson Kambalu invites viewers to a kind of post-modern ceremony which combines high technology with Malawian ancestral rituals, digital media with ancient wisdom.
Open Water feels like someone whispering something important in my ear that I didn’t quite catch, so I have to fill in the gaps with my own assumptions.
Modern India is increasingly a place where elitism and a desire to earn a place among the haves at the expense of the have nots has uprooted any sense of moral equity.