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The Beginning Comes After the End

The Beginning Comes After the End

by Chitra Ramaswamy

A tool of resistance reminding us of what has already happened
Fundamentally

Fundamentally

by Ella Berthoud

Filthy, shocking and fearlessly confrontational
“Wuthering Heights”

“Wuthering Heights”

by Danielle Papamichael

Emerald Fennell's adaptation is visually captivating and provocative, but does it match Brontë’s jagged meditation on race, class and generational trauma?
Good Good Loving

Good Good Loving

by Nicole-Rachelle Moore

A family held together by betrayals, love, pain and messy secrets
The Secret Agent

The Secret Agent

by Anahit Behrooz

A film as much about the contemporary moment as its period setting
Sinners

Sinners

by Zebib K. Abraham

A soulful, blues-soaked explosion of music centres this Southern Gothic and slasher horror
Belgrave Road

Belgrave Road

by Sophie Jai

Big questions about ‘home’ haunt the silences between the star-crossed lovers
There Is No Meant to Be

There Is No Meant to Be

by Suzanne Harrington

Jarred McGinnis's novel explores the succession of male violence that poisoned seven generations of McGinnis sons
My Father’s Shadow

My Father’s Shadow

by Colin Grant

An interrogation of ruptured father-son relationships
Pluribus

Pluribus

‘The most miserable person on Earth must save the world from happiness’
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