Walk good: in Britain’s colonial countryside
As the National Trust reports, a significant part of the wealth and beauty of the British countryside was secured by the exploitation and plunder of people in the colonies. In the 1960s, when Louise Bennett spoke of mass migration to the Motherland as colonising in reverse, she could not have foreseen that black and brown people would not simply confine themselves to the industrial concrete conurbations. In collaboration with the British Library on 24 September, WritersMosaic and Colin Grant brought together Corinne Fowler, Roger Robinson, Jonny Pitts, Hannah Lowe, John Siddique and Angeline Morrison to reflect on how and why we’re everywhere now, flocking to green and pleasant lands that once seemed out of bounds.
Free Will
Will Harris reads his poem, 'Free Will'. Directed by Matthew Thompson and commissioned by the Adrian Brinkerhoff Poetry Foundation.
Half Written Love Letter
Selina Nwulu reads her poem, 'Half Written Love Letter'. Directed by Matthew Thompson and commissioned by the Adrian Brinkerhoff Poetry Foundation.
Ideas are like rabbits
‘Ideas are like rabbits, you get a couple and learn how to handle them, and pretty soon you will have a dozen.’
Soundsystem as pedagogy
'You left recalibrated. Heartbeat altered. Shoulders lowered.'
Bad Signal
'All language use can be seen as extending a hand; words and their corresponding meanings are always about relationships'
Minor Black Figures
Making art without looking over your shoulder
The Authenticator
Painful truths hidden in the shadows of history
Hedda
An imperfect description of humanity
Illuminating, in-depth conversations between writers.
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The series that tells the true-life stories of migration to the UK.
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Nine writers explore the elusive emotional truth behind narratives and storytelling.
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