Walk good: in Britain’s colonial countryside
As the National Trust reports, a significant part of the wealth and beauty of the British countryside was secured by the exploitation and plunder of people in the colonies. In the 1960s, when Louise Bennett spoke of mass migration to the Motherland as colonising in reverse, she could not have foreseen that black and brown people would not simply confine themselves to the industrial concrete conurbations. In collaboration with the British Library on 24 September, WritersMosaic and Colin Grant brought together Corinne Fowler, Roger Robinson, Jonny Pitts, Hannah Lowe, John Siddique and Angeline Morrison to reflect on how and why we’re everywhere now, flocking to green and pleasant lands that once seemed out of bounds.
Free Will
Will Harris reads his poem, 'Free Will'. Directed by Matthew Thompson and commissioned by the Adrian Brinkerhoff Poetry Foundation.
Half Written Love Letter
Selina Nwulu reads her poem, 'Half Written Love Letter'. Directed by Matthew Thompson and commissioned by the Adrian Brinkerhoff Poetry Foundation.
When journalism is silenced
What is the responsibility of the writer?
Literally the shittiest night!
What really matters, even in literally the shittiest times
‘AI’m not gagging’
On AI and the future of the novel
Small Prophets
A veritable love letter to British whimsy
Deep Azure
A tragic exploration of grief and police brutality by the late Chadwick Boseman
Delaine Le Bas: Un-Fair-Ground
'This is not a polite, contained exhibition; this is somewhere to live, to explore, to be challenged.'
Illuminating, in-depth conversations between writers.
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The series that tells the true-life stories of migration to the UK.
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Seven poets celebrated by the T. S. Eliot Prize explore the concepts behind their books.
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