Walk good: in Britain’s colonial countryside
As the National Trust reports, a significant part of the wealth and beauty of the British countryside was secured by the exploitation and plunder of people in the colonies. In the 1960s, when Louise Bennett spoke of mass migration to the Motherland as colonising in reverse, she could not have foreseen that black and brown people would not simply confine themselves to the industrial concrete conurbations. In collaboration with the British Library on 24 September, WritersMosaic and Colin Grant brought together Corinne Fowler, Roger Robinson, Jonny Pitts, Hannah Lowe, John Siddique and Angeline Morrison to reflect on how and why we’re everywhere now, flocking to green and pleasant lands that once seemed out of bounds.
Free Will
Will Harris reads his poem, 'Free Will'. Directed by Matthew Thompson and commissioned by the Adrian Brinkerhoff Poetry Foundation.
Half Written Love Letter
Selina Nwulu reads her poem, 'Half Written Love Letter'. Directed by Matthew Thompson and commissioned by the Adrian Brinkerhoff Poetry Foundation.
Didi
'My Grandfather did not let the world harden him. His eyes, which have greyed with his hair, shine like buttons when he laughs.'
Gentle Euphoria
A rare chance to rejoice in the collective craft of writing
Ideas are like rabbits
‘Ideas are like rabbits, you get a couple and learn how to handle them, and pretty soon you will have a dozen’
Hurvin Anderson
A meditation on the illusory nature of the reality of Britain’s entangled history
Kin
The journey of two childhood friends in the segregated South as their lives drastically diverge
Afghanistanism
'Red is the colour of joy and beauty and also of the killing that comes in waves.'
Illuminating, in-depth conversations between writers.
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The series that tells the true-life stories of migration to the UK.
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Nine writers explore the elusive emotional truth behind narratives and storytelling.
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