Walk good: in Britain’s colonial countryside
As the National Trust reports, a significant part of the wealth and beauty of the British countryside was secured by the exploitation and plunder of people in the colonies. In the 1960s, when Louise Bennett spoke of mass migration to the Motherland as colonising in reverse, she could not have foreseen that black and brown people would not simply confine themselves to the industrial concrete conurbations. In collaboration with the British Library on 24 September, WritersMosaic and Colin Grant brought together Corinne Fowler, Roger Robinson, Jonny Pitts, Hannah Lowe, John Siddique and Angeline Morrison to reflect on how and why we’re everywhere now, flocking to green and pleasant lands that once seemed out of bounds.
Free Will
Will Harris reads his poem, 'Free Will'. Directed by Matthew Thompson and commissioned by the Adrian Brinkerhoff Poetry Foundation.
Half Written Love Letter
Selina Nwulu reads her poem, 'Half Written Love Letter'. Directed by Matthew Thompson and commissioned by the Adrian Brinkerhoff Poetry Foundation.
Triage
A response to the endless spiral of worldwide conflict and tragedy
My tomorrow is today
'I clasped my hands together, not in prayer but to stop them from shaking'
Ballet Black at 25
Cassa Pancho: 'It’s a miracle that we are still here in some way'
Mahsa Salali’s Naqqāli
'Salali positions the female body... as an active agent'
At Sea
Bearing witness in the face of dismissal
Ai Weiwei: Button Up!
A journey through the dangerous world of human tragedy
Illuminating, in-depth conversations between writers.
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The series that tells the true-life stories of migration to the UK.
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In the first series of poems commissioned by Hannah Lowe, six poets explore how ritual gives meaning to our lives.
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