Skip to content

Sufficiently advanced magic: Fantasy and Science Fiction

Why can’t we see him?

Why can't we see him is a horror story by about a strange disease by the author of Common Ground and Escape Routes, Naomi Ishiguro.

by Naomi Ishiguro

15th October 2022
"‘Alex,’ Sara hissed through the door, and the sound of the dice stopped immediately, replaced by a silence that reminded her of someone being circled by wasps at an outdoor tea party."

‘Why can’t we see him? I want to go up. I want to go up to see him.’

‘Alexander needs his rest, Sara.’

‘But he never comes down. How can he always be so tired if he never comes down?’

‘We’ve been through this before, Sara.’

‘But what does he do all day, up there by himself? Isn’t he lonely?’

‘He’s got plenty to occupy him. Don’t worry about that.’

‘But what about friends? What about me? Who does he see, up there all day?’

‘It’s easier for Alexander if he keeps to his own company these days. You know this, Sara. Now run along. You’re not the only child wanting dinner.’

She pretended to be satisfied with these answers, even to have forgotten about Alex, until one Sunday afternoon when Sister Rose disappeared to the kitchens, Sister Iris fell asleep in her armchair, and the other children were absorbed in a game of Monopoly.

She skipped up the stairs, quiet in her stockinged feet, until she was standing outside the door leading into the attic. She pressed an ear to the wood and listened…

Rattling, followed by the sound of things falling, rolling across wooden floorboards. Dice. But why was Alex up here, playing alone, when everyone else was downstairs together?

‘Alex,’ Sara hissed through the door, and the sound of the dice stopped immediately, replaced by a silence that reminded her of someone holding themselves very still, being circled by wasps at an outdoor tea party.

‘It’s me,’ she said. ‘It’s Sara. Why do you never come out? Aren’t you lonely?’

‘You shouldn’t be here. Go back down.’

He sounded worn out, a little hoarse. He was here, though, just metres away, just inches. Just behind this door.

‘It’s not the same without you,’ she told him. ‘The others only want to play boring games. And they whisper mean things about me, now that you’re gone.’

A door slammed below in the house and Sister Rose’s voice echoed up the stairwell, ‘Sara?’

‘Please, Alex. She’ll be here in a moment. Please just tell me what’s happening.’ Sara tried to keep her voice steady and brave, but it cracked before she’d finished speaking.

She heard Alex sigh, and then step closer, right up to the door.

‘Only because it’s you,’ he said. The door opened a crack. ‘You have to stay back, though. And you have to promise not to scream, or to laugh.’

He swung the door wide, and Sara’s hands flew to her mouth. Because there he was, her best friend in all the world, except that now he looked old. His shoulders were hunched, his eyes clouded, and his skin deeply wrinkled. What had been his thick, dark hair had turned grey, and sparse over his scalp.

‘Sara, I’m sorry,’ he began, as footsteps thundered and suddenly Sister Rose and Sister Iris were both there, fury and fear flying from their lips, their eyes, their gloved fingers.

Alex shrank from the commotion, edging back into the gloom of the attic; Sara couldn’t let him disappear. She slapped away the Sisters’ reaching, snatching fingers, launching herself forward to cling to her friend, as if holding tight to him might turn things back to how they had been.

She heard Sister Iris gasp, before Sister Rose wrenched her back, away from Alex. And then she was being marched off, down the stairs, the grip of both Sisters’ hands tight on her shoulders.

‘The maid’s room would do for her,’ said Sister Rose to Sister Iris.

Sister Rose disappeared then, back up to the attic, while Sister Iris took Sara to a small bedroom on the second floor.

‘You’ll stay here, in case it’s catching. We can’t have you going back to the other children. You must understand that.’ Sister Iris sighed and rubbed her eyes, and Sara noticed how tired she was looking, how afraid. ‘You shouldn’t have touched him, you know. That was stupid.’

‘But what’s happened to him?’ Sara asked. ‘What’s happened to Alex?’

Sister Iris sighed. ‘It started with a great weariness, was all he could tell us. And then an unshakeable heaviness of heart.’ She bit her lip. ‘I’d best go and help Sister Rose.’

She left after that, shutting the door softly behind her, and Sara didn’t know what to do, or to think. A growing hopelessness made her sit down on the narrow bed. Soon she found that she could only weep, and watch as her tears turned the smooth skin of her hands to wrinkles.

© Naomi Ishiguro

Naomi Ishiguro

Naomi Ishiguro

Naomi Ishiguro was born in London, in 1992.

Sufficiently advanced magic: Fantasy and Science Fiction

The woke mind virus

The woke mind virus

Vassili Christodoulou

Big school

Big school

Chịkọdịlị Emelụmadụ

Gabi and Clarice

Gabi and Clarice

Polly Ho-Yen

Einstein in Peckham

Einstein in Peckham

Femi Fadugba & Vassili Christodoulou

Fantasy of Manners

Fantasy of Manners

Zen Cho & Vassili Christodoulou

Illuminating, in-depth conversations between writers.

Listen to all episodes
Spotify
Apple Podcasts
Amazon Music
YouTube
Other apps
What we leave we carry, The series that tells the true-life stories of migration to the UK.

The series that tells the true-life stories of migration to the UK.

Listen to all episodes
Spotify
Apple Podcasts
Amazon Music
YouTube
Other apps
Fiction Prescriptions

Bibliotherapy for the head and the heart

Listen to all episodes
Spotify
Apple Podcasts
YouTube
Frantz Fanon: revolutionary psychiatrist

Afro-Caribbean writer Frantz Fanon, his work as a psychiatrist and commitment to independence movements.

Listen to all episodes
Spotify
Apple Podcasts
YouTube
video

Reggae Story

Hannah Lowe reads her poem, 'Reggae Story' inspired by her Jamaican father, Chick. Directed by Matthew Thompson and commissioned by the Adrian Brinkerhoff Poetry Foundation.

video

The City Kids See the Sea

Roger Robinson reads his poem, 'The City Kids See the Sea'. Directed by Matthew Thompson and commissioned by the Adrian Brinkerhoff Poetry Foundation.

Watching a theatre go dark

What we lost with the Blue Elephant Theatre

Waste not, want not

The cultural politics of waste

Frank Bowling

An interview with one of the foremost artists of his generation, Sir Frank Bowling

RENDANG

A magical reclamation of individuality from the mass of some of the world’s largest cities

Granta 173: India

A look at four short pieces of fiction from Granta's latest edition showcasing Indian writing

The Thing with Feathers

Dylan Southern’s film adaptation puts masculinity front and centre

Search